Ironically, many of these same parents disapproved when dance became their children’s chosen profession.Ĭanonic dance personalities, companies, and institutions trained Jewish dancers including Isadora Duncan and her Isadorables the Denishawn Company the Martha Graham Dance Company the Humphrey-Weidman Company Henry Street under Alwin Nikolais the New Dance Group, and later, the Dance Theater Workshop and the experimental Judson Dance Theater. Working-class and poor Jewish immigrant parents on the Lower East Side sought out culture and education in the arts for their children, often as a vehicle for assimilation. The development of the American modern dance movement from the 1920s through the 1960s centered in New York City, which was also the site of America’s largest Jewish community. Jewish women were particularly attracted to the field of modern dance. Nonetheless, the bond between dance and Judaism remained strong, particularly as young women began to express themselves through the art of dance. In New York from the 1910s through the 1950s, these influences included Zionist and Yiddish groups such as He- Halu z ha- Za’ir, Camp Kinderland and Camp Boiberik, Henry Street Settlement House, the Neighborhood Playhouse, the 92nd Street Y, and the New Dance Group. Settlement houses, social institutions, as well as political movements such as Socialism, Communism, and Zionism all affected the changes. Jewish immigrants brought with them their ritual and celebratory Jewish dances, but these traditional forms of Jewish dance waned in the United States as youth were influenced to Americanize and assimilate. Different interpretations of how to execute dances in different communities over time account for the rich differences in Diasporic community dance at weddings, holidays, and even in prayer. Responsa, not only how to dance at a wedding (Ketubot Tractate 17A), but also descriptions, for example, of the most joyous dance ever seen (at Sukkot). Talmud and the Halakhic decisions written by rabbinic authories in response to questions posed to them. When not specified, "Talmud" refers to the Babylonian Talmud. "teaching," "study," or "learning." A compilation of the commentary and discussions of the amora'im on the Mishnah. Halakhah there are rabbinic commentaries in the Lit. In written The legal corpus of Jewish laws and observances as prescribed in the Torah and interpreted by rabbinic authorities, beginning with those of the Mishnah and Talmud. The Bible contains many dance images (from Miriam dancing with the Israelite women in victory to King David) described with eleven different and specific Hebrew dance terms. Dancing in Judaism can be traced to both written and oral traditions. Dance has always played an important role within Jewish communal traditions because of its capacity to heighten both the collective and individual joy.
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